Edouard Manet |
"An old
silent pond.
Into the pond a
frog jumps.
Splash! Silence
again."
"It is perhaps
the best known of all Japanese haiku. No subject could be more humdrum. No language could be
more pedestrian. Basho, the poet, makes no comment on what he is describing. He
implies no meaning, message, or metaphor. He simply invites our attention to no
more and no less than just this: the old pond in its watery stillness, the
kerplunk of the frog, the gradual return of the stillness.
In effect he is putting a
frame around the moment, and what the frame does is enable us to see not just
something about the moment, but the moment itself in all its ineffable
ordinariness and particularity."Frederic Buechner (Beyond Words)
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